Manta Rays at Risk

I just finished this personal project called "Manta Rays at Risk" using photos I took during my holidays in Maldives and Hawaii. The final movie is in 4k and you can download it on vimeo. Mantas have been classified Read more

My first experience using Magic Lantern RAW

  Model: Lea Filmed & Edited by Martin Ureta Music: Jake Bugg - Two Fingers Software: Magic Lantern RAW v2.3 1920x1080 25fps - Card CF LEXAR 1000x This is my first test using the Magic Lantern RAW during a photo shooting of my cousin Read more

Interview with filmmaker and cinematographer Sergio Herencias

I’ve contacted Sergio Herencias, a talented Swiss/Spanish Filmmaker and Cinematographer based in Zürich, Switzerland for an exclusive interview. Raised in a small village called Degersheim, Sergio has managed to turn his dream and great passion into a career. Tell Read more

Cine Gear 2013 - The Sony FS700 in the RAW

Art Adams and Adam Wilt present the Sony FS700 in the RAW, featuring the new 2K RAW High Frame Rate, and 4K RAW recording solutions. The seminar includes footage screening. Super-sampling: Spectacular HD or 4K 4K/2K RAW recording option Super 35mm Sensor Read more


Making Of The Nuit Blanche

I discovered today an amazing short film directed by Arev Manoukian. Nuit Blanche is a short film produced by Spy Films featuring some very cool slow motion 3D effects. Shot in the classic Film Noir style, this film has a wonderfull soundtrack composed by Samuel Bisson. The cinematography was also made by Arev Manoukian and the camera operator was Jay Pavao.
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The film was shot on a green-screen set in Toronto. The two principal actors were shot separately in a four day time and they only met the last day. Each actor was shot as a separate layer so they could place them afterwards wherever they wanted.

Manoukian used a DVCPRO HD camera for the 24 frames-per-second live-action shots and the Photron APX for slow-motion sequences filmed at up to 2,000 frames per second like the slow-motion car crash. They actually broke real glass on set at over 2000 frames per second and added later on post-production 3D glass. This way they could get real reflections from the scene. Finally dirt was added to the pieces of glass to make it more natural.

The Post-Production

The editing was made with Adobe Premiere and for the 3D they used Maya, Mental Ray, 3Ds Max and V-Ray. The compositing was done with After Effects and the matte paintings with Photoshop and mapped in 3D.

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About Arev Manoukian

Raised in Montreal by a family of artists and engineers, Arev Manoukian plays with art and technology to tell stories in ways that challenge his imagination. Ever Meticulous in his work, Arev thrives on being involved in all aspects of filmmaking, from pre-visualizing his concepts, to cinematography and music. He recently turned one of his day dreams into a short film, the stunning hyper-real fantasy Nuit Blanche. The film recently won the Grand Prize at the LG Film Festival in Toronto and the coveted Golden Nica at Prix Ars in Europe. It has been highlighted in magazines such as Wired, Shots Magazine, Motionographer, and Stash Magazine. Nuit Blanche is being screened at the Palm Springs Film Festival and SIGGRAPH 2010 in Los Angeles.

The Final Movie

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Directed by: Arev Manoukian
Produced by: Stephanie Swedlove & Arev Manoukian
VFX by: Marc-Andre Gray
Music by: Samuel Bisson
Starring: Michael Coughlan & Megan Lindley
Cinematographer: Arev Manoukian
Casting: Jeff Marshall
Assistant Director: Andrew Cividino
Production Designer: Arev Manoukian & Marc-Andre Gray
Art Director / Costumes – Dan Levy
Camera Operator: Jay Pavao
Camera Assistant: Max Armstrong
Gaffer: Alan Poon
Editor: Arev Manoukian
Compositor / Animator: Marc-Andre Gray
Effects Supervisors: Marc-Andre Gray & Arev Manoukian
Additional Compositing: Arev Manoukian
Matte Painter: Pat Lau
Colourist: Andre Chlebak

Posted on by Martin in 3D, Making of, Video Leave a comment