Cameras

Hands-On the WEISSCAM HS-2 MK II

Hi everybody, I was looking some videos made with the WEISSCAM HS2 and I found director Raif Kurt from Turkey, Istanbul that uploaded some cool videos last week using this Digital High-speed Camera.

Weisscam HS-2 Front

The WEISSCAM HS-2 is the newest, uncompressed digital high-speed camera for frame rates up to 4.000fps. It is developed as a standalone camera aiming especially the needs of cinematographers. Coming with an easy workflow, two Streams (RAW + HD) via HD SDI, two formats (4:3 + 16:9) and cinema-style images, it is designed to offer you the freedom of shooting either in HD or RAW mode.

Raif Kurt’s Antigravity Video – 1000 fps

The WEISSCAM HS-2 has a full Format Super35 CMOS Sensor with a global shutter. By using the Interchangeable Mount System (IMS) from P+S Technik you can attach nearly every lenses on the camera (PL Mount, Nikon F-Mount, Panavision Mount, etc.) and also change the Mount within a few seconds.

Raif Kurt’s Super Slow Motion Human Drop Video – 2000 fps

The output of the WEISSCAM HS-2 offers two Streams at the same time and uses the HD SDI interface for both signals. With the Weisscam „RAW IN HD SDI“ mapping, you are able to transport the RAW files via the worldwide standard and fast HD SDI single and dual link interface.


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The HD stream offers YCbCr in 4:2:2. You can choose between linear standard curves like ITU-R 709 or log curve for a higher contrast range within the HD SDI image.
The RAW stream is a 12Bit uncompressed Weisscam RAW file and gives you the freedom to debayer in post production.

Raif Kurt’s BoomBalloon performed by Alexandra Kis Bandiova – 1000 fps

In conjunction with the WEISSCAM DIGIMAG DM-2, you are able to record both formats via HD SDI: YCbCr and RAW.
An intelligent master/ slave DC/DC power management, saves the camera from any short circuit and makes it needless to turn off the camera for a battery change.

Raif Kurt’s 61.8 Percent Water performed by A. Kis Bandiova – 1000 fps

A lot of mounting possibilities allows you to connect additional accessories like onboard monitor, lens control system, etc. and power them by the several outputs of the DC/DC board.
The very fast boot up time allows you to be ready for shooting in less than 7 seconds.

Other videos made with the Weisscam HS-2:

Weisscam HS-2 Demo 2010 by Ben Cain / Negative spaces

Weisscam Tests by Polemico Pictures

Blubbies by Pierre Tirier

Specifications:

• Super 35 format CMOS sensor
• > 1.400 fps in 2K
• 2.000 fps in 1080p
• 4.000 fps in 720p
• 12 bit RAW uncompressed
• 10 bit YCbCr 4:2:2
• Output: HD-SDI single and dual link for RAW (fast & standard) and HD & Gig E
• Two Stream Camera (RAW and HD)
• Super 35mm format
• > 600 ASA sensitivity
• > 10 T-stops dynamic range
• 36GB onboard memory
• Interchangeable lens mount
• 24 Volt DC

Recording time:

• 1280×720 60p approx. 02:31 single link
• 1920×1080 30p approx. 02:34 single link
• 1920×1080 50p approx. 00:49 dual link
• 2048×1536 25p approx. 01:00 single link

Weisscam HS-2 Side

For more information, features, workflow and specifications go to Weisscam.com:

For accessories and gear go to PsTechnik.de

You can follow Raif Kurt on twitter or go to his website at Hangaristanbul.com


Posted on by Martin in Cameras, Weisscam Leave a comment

Phantom Flex Camera

Tom Guilmette, Boston based cinematographer and editor was working in Vegas with a new Phantom Flex high speed camera and ended up staying up all night in his hotel shooting really super slow motion video at 2,564fps in 1080p HD.

I was working a gig in Vegas with a brand new Phantom Flex high speed digital cinema camera. I had to try it out. In fact, I never did go to bed that night. I opened up a wormhole shooting at 2,564 frames per second.

Phantom Flex Introduction Video

This is an introduction video to the Phantom Flex, Abel’s Phantom specialists review the capabilities of the Flex that set it apart, such as frame rates, sensitivity and ease of use. They also discuss the power of motion pictures to reveal what has never been seen before – a power that goes back to the beginning of cinema.


Posted on by Martin in Cameras, Phantom, Video 1 Comment

Canon T3i/600D Announced

Canon today announces the launch of the EOS 600D – a compact, lightweight Digital SLR (DSLR) that makes capturing exciting, fun and creative images easier than ever. The perfect choice for aspiring photographers looking for a combination of outstanding image quality and ease-of-use, the EOS 600D sits at the top of Canon’s entry-level EOS line-up, above the existing EOS 550D and the new EOS 1100D. Read more

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JVC presents the GY-HM750U ProHD Camcorder

JVC has announced the release of a new entry to its camera lineup, the GY-HM750U Pro-HD camcorder. This compact shoulder-mount camcorder is designed for news, sports, commercials, documentary and other location capture work.It offers the industry fastest shoot-to-edit workflow by recording native HD or SD footage in ready-to-edit file formats for Final Cut Pro or Adobe Premiere (.MOV), as well as other major video editing systems that are compatible with Sony XDCAM EX files (.MP4). The camcorder can also record standard DV files (.AVI or .MOV). Read more

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The Story Beyond the Still – Final Collaborative Film

This is the final film being premiered at the Sundance Film Festival and on Vimeo simultaneously. It includes all 8 chapters in what Canon is calling the largest online collaborative film contest in history. The final chapter screenplay was written by all 6 chapter winners, directed by Vincent Laforet and photographed by DP Joe Desalvo.

Final Film

Behind the Scenes

See the other chapter winners separately and learn more about the contest here – vimeo.com/​groups/​beyondthestill


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First look at the Panasonic AG AF100

Check the three Abel’s Technica blog posts of Noah Kadner’s review of the much anticipated Panasonic AF100.  In this exclusive 3-part online series, indie filmmaker Noah Kadner takes a first look at Panasonic’s revolutionary AF100, the first professional camera to combine the interchangeable lenses of a digital SLR still camera with the ergonomics of a camcorder.
 

Part 1 – Introduction and Pre-Production

Part 2 – Production

Part 3 – Post-Production and Conclusion

To read more about the Panasonic’s AF100, there are a few questions that keep popping up during discussions of the camera. Go to ABELCINE to have some answers

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Sony F3 – First Approach

I had the chance to play, with some DOP friends, one of the two prototypes of the SONY PMW-F3 in Europe at this time. Organized by Visuals Switzerland led by Charly Huser, the meeting was  intimate enough for us to observe the latest addition to Sony in all its glory. Read more

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Shooting a Comedy in Japan with a Canon 5D and a 7D

Posted by Pascal Montjovent

I’m just back from shooting in Japan a short fiction called “Igor in Japan”, where Igor is a donkey. It’s a comedy we shot during one week near the village of Komoro, in the Nagano district.

Since it seemed difficult for the production company to rent specific lights and cameras in Japan, we had to bring everything with us from Europe. It had to comply with in-flight weight and measurements regulations, so we opted for the Canon 5D Mark II and the 7D, customized with Marshall monitors and two Chrosziel Follow Focus Systems. Read more

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Hands-On with the Canon EOS 60D

At this year’s Canon Expo, we had an opportunity to see Canon’s recently announced EOS 60D HDSLR. The 60D is a full-featured HDSLR positioned between the Rebel T2i and the 7D, with one notable exception – the 3” LCD now articulates, solving the problem many video shooters had with high and low angle shots. HD video functions are similar to the rest of the EOS line, with H.264 1080/24p/25p/30p and 720/60p/50p recording on to SDHC & SDXC cards.

Click blog.abelcine.com for the whole story.

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Opposing Views Canon’s 4K Camera

Today Canon showed off an ‘engineering prototype’ of a possible 4K Camera under development, and while they are careful to state that this will probably never see the light of day without extensive rework, the various opinions around the device are heavily polarized.  This was just too interesting to pass up.

Click www.vizworld.com for the whole story.

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