Here is the 2011 Demo Reel of Cinematographer and Cameraman Taylor Loughran.
You can follow Taylor Loughran on his blog here: ArtBarnproductions.blogspot.com and in vimeo here: Vimeo.com/user1077574
Here is the 2011 Demo Reel of Cinematographer and Cameraman Taylor Loughran.
You can follow Taylor Loughran on his blog here: ArtBarnproductions.blogspot.com and in vimeo here: Vimeo.com/user1077574
RED STUDIOS HOLLYWOOD, Hollywood, Calif., November 3, 2011 – RED Digital Cinema has officially released its third industry-changing camera, the Scarlet-X. With burst modes up to 12 fps at full 5K resolution alongside 4K motion capture from 1-30 fps, the camera allows professional photographers and cinematographers to simultaneously capture motion footage and still content. Never miss a shot. Ever. Scarlet-X’s compact design, endless modularity and advanced feature set provide a future-proof solution catering to every shooter’s needs, leaving one-dimensional DSLRs and 1080p camcorders in its wake. Priced at under $10,000, Scarlet-X advances RED’s vision to democratize superlative cinema and professional photography.
HOLLYWOOD, California, November 3, 2011/TOKYO, November 4, 2011 – Canon Inc. and Canon U.S.A., Inc. today raised the curtain on an all-new interchangeable-lens digital cinema camera that combines exceptional imaging performance with outstanding mobility and expandability to meet the demanding production needs of today’s motion picture industry. The camera, which features a newly developed Super 35 mm-equivalent approximately 8.29-megapixel CMOS sensor, will be available in two models: the EOS C300 Digital Cinema Camera*, equipped with an EF lens mount for compatibility with Canon’s current diverse lineup of interchangeable EF lenses for EOS single-lens reflex (SLR) cameras and new EF Cinema Lens lineup; and the EOS C300 PL Digital Cinema Camera*, with a PL lens mount for use with industry-standard PL lenses.
LAKE SUCCESS, N.Y., October 18, 2011 – Canon U.S.A., Inc., a leader in digital imaging, is proud to introduce a completely revolutionized EOS-1D series camera, the Canon EOS-1D X Digital SLR camera.* As the new leader in Canon’s arsenal of professional DSLRs, the EOS-1D X will be a high-speed multimedia juggernaut replacing both the EOS-1Ds Mark III and EOS-1D Mark IV models in Canon’s lineup. Enhancing the revolutionary image quality of the EOS-1Ds and speed capabilities of the EOS-1D series, the EOS-1D X DSLR features an 18-megapixel full-frame Canon CMOS sensor, Dual DIGIC 5+ Imaging Processors, 14-bit A/D data conversion and capable of shooting an incredible 12 frames-per-second (fps). Canon’s EOS DSLR cameras and accessories have a long-standing legacy of providing high-quality results to professionals in a wide range of markets, including sports, nature, cinematography, wedding and commercial studios. The addition of this new model will help take this tradition to a whole new level.
The EOS-1D X announcement comes on the heels of Canon’s recent manufacturing milestone with the production of the Company’s 50-millionth EOS-series SLR camera in September of 2011. Furthermore, Canon will achieve yet another milestone at the end of this month producing the 70-millionth EF lens.
This is an interesting Behind the Scenes produced by [FRAMED]. Learning studio strobes and studio techniques are a challenging and fun process….now imagine adding water. Holding your breath, not being able to communicate to your model, etc. Mallory Morrison started as a dancer and took those artistic skills as a trained photographer and dancer to the water. Today, Mallory takes us underwater to shoot a fashion spread for Live Orange County Magazine.
Photographer: Mallory Morrison
BTS produced by FRAMED
Vision Research unveils two additions to the company’s Phantom® v-Series line of digital high-speed cameras with the introduction of the Phantom v1210 and v1610. These top-of-their-class cameras are the world’s fastest 1 megapixel digital high-speed cameras. They feature high definition and widescreen 1280 x 800 CMOS sensors. The Phantom v1610 is 60 percent faster than any other camera on the market, with the ability to acquire more than 16,000 frames-per-second (fps) at full resolution and up to 1,000,000 fps at reduced resolution.
Continuing with the Underwater Cameraman Series, this time I’m presenting Marcelo Rodrigues, a biologist that started with scuba diving during his biology thesis and became a passion since then. Marcelo works as a videographer and travels around the world whenever he can, filming the underwater world. Thank you Marcelo for the interview, I’m looking forward to your next diving video in Maldives.
Some people dream of great accomplishments, while others just go and do them. This interview is about Claire and Max, a lovely and funny couple that fell in love and shared the same passion: images and travel. They travel around the world once a month since 2008. I discovered them on the web and I contacted them to do this interview. Something I admire, is people that work hard and at the same time live their passions and have fun…
Claire, Max, thanks for sharing. I’m looking forward to meet you guys soon!
Alexander Benedik is an underwater filmmaker who is diving since 1998 and doing videos since 2008. In this interview Alex will tell us why he started with underwater filming and share with us some of his best experiences while shooting in remote locations like Alaska and Antarctica. You can learn more from him and discover what it is that has pushed him to start diving and doing these amazing underwater videos.

Alex: After 10 years of scuba diving I have started my underwater video career. In those ten years I had many of exciting and once in a life time experiences underwater. The key moment to start underwater video was in Bali 2007. I was alone on 5 meters with a dozen of very relaxed Bumphead Parrotfish that swam close around me for 10 minutes or more. The dive buddy with the camera was out of sight, so no one was there to capture this unique scenery.
Still in Bali I grabbed a German underwater magazine and did some research on video housings. Three weeks later I bought my first housing on a water sport convention in Vienna, Austria.
Alex: Good fellows of mine had a scuba license. I spent a vacation with them at Dominican Republic. They went for scuba and I was alone on the beach. It was really boring lying on the beach. For me it’s a waste of time. So I booked a scuba course. From that moment scuba became an obsession.
Alex: For this question I have to make a big swing. I was very lucky to meet an Austrian underwater photographer on an Egypt live aboard in 2002 or 2003. He is a really macro and critters specialist. He showed me some of his pictures. Until that time I had no clue about what you can really find underwater – if you have a closer look. Usually people see colored fish, corals and that’s it. We both share the same underwater interests, so we travel and choose our dive spots and dive vacations together since then. Only the cold water regions, like Antarctica, Iceland, Alaska, I dived without him.
Welcome back to Cameraman.com! First of all I would like to thank you all for your visit and for your support to the community!
This time I would like to introduce you with Glenn Harris, a cameraman, editor and director who works between New York and Los Angeles. Glenn has had a lifelong career in cinema and television. He began at the age of 2 as a child actor appearing in features and television – notably in the 80s classic “Say Anything” and a regular on daytime soap opera “General Hospital”. He switched to the production side after attending film school at USC. His hobbies include flying airplanes, surfing, and scuba diving.
Glenn tells us a bit about how he discovered scuba diving and a few tips of underwater filmmaking. As I’m also a passionate about underwater filmmaking I will be posting more interviews… so stay in touch!
Glenn: About a year ago I was looking for a new adventure. I’m from Southern California where most all of my friends and I grew up surfing and snowboarding. I love both of those, but diving was something not as many people seemed to do. When I breathed underwater for the first time, even though it was just in a pool, I was hooked.
Underwater filming then became a natural outgrowth for me. Filmmaking has always been in my life – through child acting, going to film school, and now leading a career in it. The difference though with underwater shooting is I was driven purely by a sense of exploration and adventure that I wanted to share with everyone.
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