I just finished this personal project called "Manta Rays at Risk" using photos I took during my holidays in Maldives and Hawaii. The final movie is in 4k and you can download it on vimeo. Mantas have been classified Read more
Filmed & Edited by Martin Ureta
Music: Jake Bugg - Two Fingers
Software: Magic Lantern RAW v2.3 1920x1080 25fps - Card CF LEXAR 1000x
This is my first test using the Magic Lantern RAW during a photo shooting of my cousin Read more
I’ve contacted Sergio Herencias, a talented Swiss/Spanish Filmmaker and Cinematographer based in Zürich, Switzerland for an exclusive interview. Raised in a small village called Degersheim, Sergio has managed to turn his dream and great passion into a career.
Cameraman.com: Tell Read more
Art Adams and Adam Wilt present the Sony FS700 in the RAW, featuring the new 2K RAW High Frame Rate, and 4K RAW recording solutions. The seminar includes footage screening.
Super-sampling: Spectacular HD or 4K
4K/2K RAW recording option
Super 35mm Sensor Read more
Writer Ransom Riggs presents us here with a short film that he describes as “My favourite post-apocaliyptic hell hole, the Salton Sea”. Ramsom shot with the Ultra-light Steadicam Merlin and the Canon 5DmkII with two lenses: a 24mm and a 100mm. The editing was made with Final Cut and the grading with Color.
Marlon Torres, based in California not only excels as a Cinematographer but also as a Film Director. I had the chance to interview Marlon last week about his last film The Bridge and I have to say that it’s amazing to think that with only a $7,000 budget, Marlon and his team make this extraordinary 30 minutes movie. A Brilliant job!
Cameraman: Hello Marlon, first of all thank you for the interview. Let’s start by telling us a bit more about yourself and how you got started with your last movie The Bridge?
Marlon: Hello, my name is Marlon Torres and I am an independent filmmaker based in the San Francisco bay area. I specialize in writing, directing, cinematography, and visual effects. I spent my first two years out of college primarily as a CG artist. It’s a rough job. Long hours sitting in dark room. Not the life I imagined seeing myself in. Read more
Martin Steinmann takes us behind the scene to this nicely filmed photoshoot made with a Canon EOS 550D, a Glidetrack and a Gyros KS-6.
Some time ago I was invited to shoot a „Behind the Scenes“. Knowing that things would be a bit rough, I asked myself: should I bring my trusted HV30 or give my daughter’s 550D a chance? I did not regret my decision. Filmed and edited using Canon 550D (T2i) and Final Cut Pro
I discovered the film TheChapel last week on vimeo and here I would like to share the making of. The director of photography Patryk Kizny said: “If you are not in the business, or even if you are, you might not be aware of the amount of work behind TheChapel.” Read more