LAS VEGAS, Apr 16, 2012 (BUSINESS WIRE) — Blackmagic Design today announced Blackmagic Cinema Camera, a revolutionary digital cinema camera design that includes powerful features such as super wide 13 stops of dynamic range, high resolution 2.5K sensor, built in high bandwidth SSD recorder, open file format support, color correction with full version of DaVinci Resolve and a built in LCD with metadata entry, all in an attractive compact design for only US$2,995.
Many current generation video cameras suffer from a “video look” due to a limited contrast range, a maximum HD resolution sensor, poor quality optics and lenses, the use of heavy video compression for file recording and poor integration with NLE software metadata management. With these limitations, they cannot be used for high end work or feature films.
Blackmagic Cinema Camera has been designed to eliminate these problems so customers get a true feature film look, and at an affordable cost can shoot high end television commercials, episodic television programming and feature films.
I have had the pleasure to interview cinematographer Sebastian Cepeda, the Director of Photography of the coming science fiction movie The Rift. Sebastian was born in Argentina and studied Fimmaking in the SAE Institute. He lives in Switzerland and he is starting his third feature film this year as a Director of Photography. Before leaving you with the interview I would like to say that I’m also delighted to share our 10th interview on Cameraman.com. Thanks for your support! I hope you enjoy it.
Sebastian Cepeda at work
Cameraman: How and why did you become a cinematographer?
Sebastian: I became a cinematographer because I love to tell stories and the best way for me to do that is with images. I’m a very visual person, writing was never my strong side, so I started drawing comics when I was around 10. Drawing comics was like storyboarding movies for me at that age.
Afterwards when I came to Switzerland at the age of 15 I decided to become an actor, but it was pretty hard in Switzerland. I had minor roles for TV as well as theater but then I realized that I wanted to be on the other side of the camera. I studied at the SAE Institute and had a Bachelor of Arts in Filmmaking. The school was good to learn some basics, but in my opinion the best way to become a Cinematographer is watching at a lot of movies, TV shows, music videos, pictures and other images. You get a sense for the lighting as well as framing. There are a lot of books too that were very helpful, one of my favorites is “Painting with Light” by John Alton.
Cameraman: Tell me about The Rift and how you got involved in that movie.
Sebastian: The Rift is a low budget science fiction/thriller movie set in America. I got involved in the project thanks to the director Robert Kouba. I was his teacher at SAE and thought him “Camera & Lighting”. So after having my class he asked me if I wanted to be the Director of Photography for the movie. We had a couple of meetings and I was very impressed with him, being such a young guy and so talented, and he thinks a lot with images like myself.
Canon today announces the launch of the EOS 600D – a compact, lightweight Digital SLR (DSLR) that makes capturing exciting, fun and creative images easier than ever. The perfect choice for aspiring photographers looking for a combination of outstanding image quality and ease-of-use, the EOS 600D sits at the top of Canon’s entry-level EOS line-up, above the existing EOS 550D and the new EOS 1100D. Read more
Today Canon showed off an ‘engineering prototype’ of a possible 4K Camera under development, and while they are careful to state that this will probably never see the light of day without extensive rework, the various opinions around the device are heavily polarized. This was just too interesting to pass up.