Manta Rays at Risk

I just finished this personal project called "Manta Rays at Risk" using photos I took during my holidays in Maldives and Hawaii. The final movie is in 4k and you can download it on vimeo. Mantas have been classified Read more

My first experience using Magic Lantern RAW

  Model: Lea Filmed & Edited by Martin Ureta Music: Jake Bugg - Two Fingers Software: Magic Lantern RAW v2.3 1920x1080 25fps - Card CF LEXAR 1000x This is my first test using the Magic Lantern RAW during a photo shooting of my cousin Read more

Interview with filmmaker and cinematographer Sergio Herencias

I’ve contacted Sergio Herencias, a talented Swiss/Spanish Filmmaker and Cinematographer based in Zürich, Switzerland for an exclusive interview. Raised in a small village called Degersheim, Sergio has managed to turn his dream and great passion into a career. Cameraman.com: Tell Read more

Cine Gear 2013 - The Sony FS700 in the RAW

Art Adams and Adam Wilt present the Sony FS700 in the RAW, featuring the new 2K RAW High Frame Rate, and 4K RAW recording solutions. The seminar includes footage screening. Super-sampling: Spectacular HD or 4K 4K/2K RAW recording option Super 35mm Sensor Read more

Directors

Film Diehards – Last Directors Using Film

As progress in digital sensors has narrowed the gap of noticeable resolution difference between video and celluloid film to nearly equivalent in comparison, most of Hollywood has opted to let go of the nostalgic days of the past in favor of the cost and time effective benefits of digital media. Standard monikers in old Hollywood, like Kodak and Panavision, are suddenly being replaced with names like RED and even Canon’s Prosumer 5D series – with some exception, of course. There are a few diehard celluloid enthusiasts who continue to passionately embrace the harder way of doing things.

Steven Spielberg

The patriarch of modern blockbuster cinema, Spielberg is known for backing (and even inciting) the latest technological advances that move cinema forward. Except for the actual medium he utilizes, it seems. He has continued to shoot on film stock for his last several films (minus The Adventures of Tintin, his animated co-venture with digital enthusiast Peter Jackson), and states that he will continue to shoot until the last film-lab closes (which he has desperately noted could be within the next 10 years).

Steven Spielberg

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Posted on by Zack Mandell in Entertainment Leave a comment