Manta Rays at Risk

I just finished this personal project called "Manta Rays at Risk" using photos I took during my holidays in Maldives and Hawaii. The final movie is in 4k and you can download it on vimeo. Mantas have been classified Read more

My first experience using Magic Lantern RAW

  Model: Lea Filmed & Edited by Martin Ureta Music: Jake Bugg - Two Fingers Software: Magic Lantern RAW v2.3 1920x1080 25fps - Card CF LEXAR 1000x This is my first test using the Magic Lantern RAW during a photo shooting of my cousin Read more

Interview with filmmaker and cinematographer Sergio Herencias

I’ve contacted Sergio Herencias, a talented Swiss/Spanish Filmmaker and Cinematographer based in Zürich, Switzerland for an exclusive interview. Raised in a small village called Degersheim, Sergio has managed to turn his dream and great passion into a career. Tell Read more

Cine Gear 2013 - The Sony FS700 in the RAW

Art Adams and Adam Wilt present the Sony FS700 in the RAW, featuring the new 2K RAW High Frame Rate, and 4K RAW recording solutions. The seminar includes footage screening. Super-sampling: Spectacular HD or 4K 4K/2K RAW recording option Super 35mm Sensor Read more

Marlon Torres

Filmmaker Marlon Torres 2012 Showreel

I’d like to present the 2012 Showreel of director, cinematographer and editor Marlon Torres. Last year I did an interesting interview about his movie “The Bridge”. You can read it here.

For more information about filmmaker Marlon Torres, please visit:

You can follow him on twitter:

Posted on by Martin in Showreels Leave a comment

Interview with The Bridge director Marlon Torres

Marlon Torres, based in California not only excels as a Cinematographer but also as a Film Director. I had the chance to interview Marlon last week about his last film The Bridge and I have to say that it’s amazing to think that with only a $7,000 budget, Marlon and his team make this extraordinary 30 minutes movie. A Brilliant job!

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Cameraman: Hello Marlon, first of all thank you for the interview. Let’s start by telling us a bit more about yourself and how you got started with your last movie The Bridge?

Marlon: Hello, my name is Marlon Torres and I am an independent filmmaker based in the San Francisco bay area. I specialize in writing, directing, cinematography, and visual effects. I spent my first two years out of college primarily as a CG artist. It’s a rough job. Long hours sitting in dark room. Not the life I imagined seeing myself in. Read more

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Pacifica Fog shot with a Panasonic DMC-GH2

The Panasonic GH2 is able to capture HD video and it has the ability to control the movie shooting process, in terms of frame rate and shutter speed. Videographers will see an improvement in the quality of the highest quality output – the 1080i output is derived from 60p or 50p capture. The new 18.3 MP CMOS Sensor is capable of much greater output speed than its predecessor GH1, bringing a lot more benefits.

This is a video shot by cinematographer Marlon Torres with his new Panasonic DMC-GH2.

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Marlon Torres’s impressions

The camera is very light and compact. It feels durable but no where near the professional bodies of my 5D Mark II and 7D. It startled to drizzle at the end of the shoot so I decided to pack up and leave. If I was shooting with my weather-sealed 7D, I probably would have stayed until the sun went down.

Image quality is impressive. It is sharper than any of my Canon DSLRs and has a nice natural colors out of the camera. I was using the 14-140mm kit lens and got very sharp images from 14mm to about 120mm. It did start to soften above that. I was happy to see that there was no moire in the very detailed areas but was slightly disappointed with the micro jello when shooting at 140mm.

Overall I’m very happy with the camera and looking forward to pushing it to its limits in future projects.

More information about the Panasonic DMC-GH2 here

About Marlon Torres:



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