Introducing the Sony NEX-FS700 1080p HD

Sony just announced the NEX-FS700 camera early this week. It has all the features of the FS100 but with some big improvements including a 3G-SDI output, ND filters and high-speed recording options. The big news is that the camera is “4k Ready,” meaning that in the future it will be able to output 4K 12-bit RAW data over the 3G-SDI connection.

The list price of the camera will be around $10,000, and it should ship in June of this year. Watch the video above to get a closer look at the slow-motion fonction of the camera and read the Preliminary information from Sony Europe to have an idea of some the specs.

The first footage from Sony’s new NEX-FS700. The new Super 35mm model is designed for high-speed shooting and is capable of capturing footage at up to 960 frames per second. The camcorder also features a range of capabilities such as 3G HD-SDI output and built-in ND filters. Additionally, it also offers several creative options, shooting styles and enhanced ergonomics – all based on customer feedback – to deliver a flexible production tool that fits seamlessly into a variety of shooting applications.

Posted on April 13, 2012 by Martin in Press Release, Sony Leave a comment

Vision Research Announces the Phantom Miro M320S: 1540fps at 1080p

The Phantom Miro M320S is a small, lightweight, rugged digital high-speed camera packed with advanced features, which now includes HD-SDI for advanced monitoring and workflow possibilities. The camera has advanced features previously available on cameras at twice the price, is easy to learn and use, and addresses applications in a wide variety of industries.

The M320S is a 2 megapixel camera with 3.2 Gigapixels/second (Gpx/s) throughput. This translates to 1380 fps at 1920 x 1200, or over 1500 fps at 1920 x 1080. The M320S uses microlenses on its custom-designed CMOS sensor with 10 μm pixel pitch to achieve great light sensitivity, and with 12-bit pixel depth you can expect excellent image quality.

1920 x 1080 resolution at 1,540 fps
1152 x 1152 square resolution at 2,250 fps
Throughput 3.2 Gpx/s
Minimum exposure: 1μs
ISO: 8600T Mono; 1100T Color
Compatible with the Phantom RCU for un-tethered recording
HD-SDI output for improved video workflow and monitoring

Posted on April 5, 2012 by Martin in Phantom, Press Release Leave a comment

WEISSCAM “SWEET 16″ PRODUCTION BUNDLE AT NAB

WEISSCAM’s SWEET 16 combines the technological flexibility of the T-CAM with the unbeatable optical quality of ARRI‘s Ultra 16 lenses, creating the perfect 16mm production bundle. SWEET 16 is limited and can be reserved at NAB 2012. SWEET 16 production bundle contains one T-CAM and three ARRI Ultra 16 lenses.

The SWEET 16 production bundle is the ultimate combination of two “state of the art” products. The T-CAM with its innovative SOHA platform offers the customer a uniquely long life-cycle product with all kinds of upgrade options. ARRI‘s Ultra 16 lenses offer outstanding optical performance inside an incredible compact and durable housing.

As Weisscam DoP and CEO, Stefan Weiss comments:

“Shooting with the SWEET 16 production bundle offers you a really compact high-end creative solution. With a total weight of just 3 kilos (6.6 lbs) you can shoot up to 340fps, have a T-Stop of T1.3, a close focus up to 0,2m (from film plane) and a beautyful, cinematic depth of field”.

The SWEET 16 production bundle is also a perfect solution for every 3D shooting:

All T-CAMs can be synchronized easily and use only perfectly matched sensors. The ARRI Ultra 16 lenses are super color matched and are the ideal partner for the T-CAM, providing an optimal 3D solution for professional film makers.

The superbly compact and light ONE HOUSING CONCEPT of the T-CAM complements the ARRI Ultra 16 lenses with their similarly compact design across all focal lengths, including the wide angle 6mm.

You can visit WEISSCAM at NAB (booth C8740) to reserve the exceptional SWEET 16 production bundle.

Sweet 16 Bundle

Press Release in English

Press Release in German

About Weisscam:

With a long history of working “on set,” on locations around the world and with some of the largest studios and production companies in Germany, Weisscam puts extensive experience into everything they do. Weisscam GmbH provides high-quality and expertise in the following areas: Camera development, Equipment Rental, and Production Services.

Stefan Weiss, DoP, created his first prototype digital high-speed camera, the WEISSCAM HS-1, in 2005 in order to fill a gap in the market and meet the needs of his client’s projects. With the development of the WEISSCAM HS-2, Weisscam began expanding its product family, which now includes the WEISSCAM Digimag DM-2, the WEISSCAM Handunit HU-2, and the WEISSCAM Debayerbox DBB.

“Everything Weisscam does is based upon our direct experience in film production as well as input and feedback from our customers, users, and extensive industry network. Because we are not just product designers, but also professional film people, we have the direct experience of our equipment as professional users. Combining this with the input and feedback from our customer and user base, ensures that we are developing future-oriented technology and products that meet professional standards and needs.” Stefan Weiss, DoP and Managing Director, Weisscam GmbH

http://www.weisscam.com

Posted on April 4, 2012 by Martin in Cameras, News, Press Release, Weisscam Leave a comment

Slow-Motion: Cinematographer David Torres’ stunning work

In this post I wanted to present a selection of short films produced by Mexican production company The Mates for the project “Stars of the Bicentennial” to celebrate the 200th anniversary of the founding of Mexico as a Country.

Cameraman and Cinematographer David Torres did an amazing job using the Phantom and Red One Camera with lenses Red Pro Primes.

The dream and the challenge is to transmit through images that can be perceived not only natural beauty and biodiversity, but the soul, spirit, feelings and pride of Mexico.

If you like horses watch the first video: The images are just spectacular!

Altamura Sinaloa

Posted on May 21, 2011 by Martin in Cameras, Entertainment, Phantom, RED, Short Movies, Video 1 Comment

The Phantom Flex Menace

Director of Photography Michael Sutton shot these amazing images with a Phantom Flex camera. He shot between 1200fps and 2500fps.

Follow Michael Sutton on twitter here @MNS1974

Equipment by Rule Boston Camera:
twitter: @rulebostoncam
Vision Research Phantom Flex
256GB Cinemag
CineDeck Extreme
Arri 16, 24, 32, 100mm Macro 35 PL lenses
Canon 400mm f/2.8 PL conversion
Sachtler Video 20
Cut on FCP no color grading

Posted on May 19, 2011 by Martin in Cameras, Phantom Leave a comment

Hands-On the WEISSCAM HS-2 MK II

Hi everybody, I was looking some videos made with the WEISSCAM HS2 and I found director Raif Kurt from Turkey, Istanbul that uploaded some cool videos last week using this Digital High-speed Camera.

The WEISSCAM HS-2 is the newest, uncompressed digital high-speed camera for frame rates up to 4.000fps. It is developed as a standalone camera aiming especially the needs of cinematographers. Coming with an easy workflow, two Streams (RAW + HD) via HD SDI, two formats (4:3 + 16:9) and cinema-style images, it is designed to offer you the freedom of shooting either in HD or RAW mode.

Raif Kurt’s Antigravity Video – 1000 fps

The WEISSCAM HS-2 has a full Format Super35 CMOS Sensor with a global shutter. By using the Interchangeable Mount System (IMS) from P+S Technik you can attach nearly every lenses on the camera (PL Mount, Nikon F-Mount, Panavision Mount, etc.) and also change the Mount within a few seconds.

Raif Kurt’s Super Slow Motion Human Drop Video – 2000 fps

The output of the WEISSCAM HS-2 offers two Streams at the same time and uses the HD SDI interface for both signals. With the Weisscam „RAW IN HD SDI“ mapping, you are able to transport the RAW files via the worldwide standard and fast HD SDI single and dual link interface.

The HD stream offers YCbCr in 4:2:2. You can choose between linear standard curves like ITU-R 709 or log curve for a higher contrast range within the HD SDI image.
The RAW stream is a 12Bit uncompressed Weisscam RAW file and gives you the freedom to debayer in post production.

Raif Kurt’s BoomBalloon performed by Alexandra Kis Bandiova – 1000 fps

In conjunction with the WEISSCAM DIGIMAG DM-2, you are able to record both formats via HD SDI: YCbCr and RAW.
An intelligent master/ slave DC/DC power management, saves the camera from any short circuit and makes it needless to turn off the camera for a battery change.

Raif Kurt’s 61.8 Percent Water performed by A. Kis Bandiova – 1000 fps

A lot of mounting possibilities allows you to connect additional accessories like onboard monitor, lens control system, etc. and power them by the several outputs of the DC/DC board.
The very fast boot up time allows you to be ready for shooting in less than 7 seconds.

Other videos made with the Weisscam HS-2:

Weisscam HS-2 Demo 2010 by Ben Cain / Negative spaces

Weisscam Tests by Polemico Pictures

Blubbies by Pierre Tirier

Specifications:

• Super 35 format CMOS sensor
• > 1.400 fps in 2K
• 2.000 fps in 1080p
• 4.000 fps in 720p
• 12 bit RAW uncompressed
• 10 bit YCbCr 4:2:2
• Output: HD-SDI single and dual link for RAW (fast & standard) and HD & Gig E
• Two Stream Camera (RAW and HD)
• Super 35mm format
• > 600 ASA sensitivity
• > 10 T-stops dynamic range
• 36GB onboard memory
• Interchangeable lens mount
• 24 Volt DC

Recording time:

• 1280×720 60p approx. 02:31 single link
• 1920×1080 30p approx. 02:34 single link
• 1920×1080 50p approx. 00:49 dual link
• 2048×1536 25p approx. 01:00 single link

For more information, features, workflow and specifications go to Weisscam.com:

For accessories and gear go to PsTechnik.de

You can follow Raif Kurt on twitter or go to his website at Hangaristanbul.com

Posted on February 19, 2011 by Martin in Cameras, Weisscam Leave a comment

slow motion